Liliana Angulo Cortés

Liliana Angulo Cortés
	; Irudi gehiago
museo zuzendari	;
museo zuzendari
Bizitza
Jaiotza	Bogota, 1974
Herrialdea	Kolonbia
Heriotza	Bogota, 2026ko otsailaren 21a (51/52 urte)
Hezkuntza
Heziketa	Kolonbiako Unibertsitate Nazionala ; Illinoisko Unibertsitatea
Hizkuntzak	gaztelania
Jarduerak
Jarduerak	eskultorea, unibertsitateko irakaslea, ikertzailea, eduki-editorea eta artista

Astrid Liliana Angulo Cortés (Bogota, 1974 – ibidem, 2026ko otsailaren 21a) Kolonbiako artista plastikoa izan zen, eskulturagintzan espezializatua Kolonbiako Unibertsitate Nazionalean, eta arteetako maisutza egin zuen Illinoiseko Unibertsitatean (Chicago).^[1] Bere ekoizpen artistikoaren bidez, kultura garaikidean emakume beltza irudikatzeko moduak aztertzen ditu, genero, arraza eta identitatearen ikuspegietatik.^[2]

Biografia

Bigarren mailako ikasketak hasi zituenetik, arte-hezkuntzarantz bideratu zen. Angulo Cortesek, Arte Plastikoetako maistra eta jarduneko artista, 20 urte baino gehiago daramatza afrikarren ondorengotza ikertzen eta hausnartzen, eta afrikar ondorengoen inguruan eraikitako irudi eta estereotipoen inguruko eztabaida faltaren inguruan.^[3]

Ibilbidea

Liliana Angulo Cortések aldi berean garatu ditu artista plastiko lana, irakasle lana eta memoria eta arte komunitario afrokolonbiarraren sustatzaile lana.^[4] 2004tik 2007ra, Arte Fakultateko Hezkuntza Iraunkorreko Programa koordinatzen aritu zen Kolonbiako Unibertsitate Nazionalean, eta Jorge Tadeo Lozano Bogotako Unibertsitatean irakaslea izan da. Gilberto Alzate Avendaño Fundazioan Arte Plastikoen eta Ikusizkoen Gerentziako aholkulari gisa lan egin zuen. 2014an, Praktika Artistikoen eta Ondarearen zuzendariordea izan zen Bogota hiriko Kultura, Jolas eta Kirol Idazkaritzan.^[5] 2015etik, " AguaTurbia" artista afrokolonbiarren kolektiboko kide da.^[6] Arteen zuzendariordea izan zen Arteen Distrituko Institutuan, 2020an.^[7] Hainbat arte-kuradoretza egin izan ditu, eta hitzaldi ugari eman ditu Kolonbiako eta Kolonbiatik kanpoko hainbat arte-erakundetan.^[8]^[9]^[10]

Lan artistikoa

Angulo Cortések afro-populazioak Kolonbian duen erresistentziari, erreparazioari eta presentziari buruzko artxiboak arakatu izan ditu, emakume beltzaren irudiaren, lurraldearen, arrazaren eta gorputzaren inguruko botere-harremanen berri emateko. Horretarako, Kolonbiako gizartean generoaren eta arrazaren arteko intersekzioan gertatzen diren tentsioei buruzko hausnarketa sistematikoa garatu zuen.^[2]^[11]

Hainbat formatu erabiliz, besteak beste, argazkigintza, instalazioa eta eskultura, artistak zalantzan jartzen ditu hizkuntzak eta irudiek zapalkuntzak eragin ditzaketen estereotipoak eta moduak, kultura afro-kolonbiarrarekiko objektibizazioaren eta sinplifikazioaren ondorioz

Liliana Angulo Cortések ere besteekiko harremana ariketa kolektibo gisa erabiltzen du, bere burua eta komunitatea zaintzeari lotutako botere performatiboaren espazio bat irekitzen duen ariketa kolektibo gisa. Esperientzia kolektiboa memoria berridazteko lan gisa^[12]

Erakusketak

Bakarkakoak

2018ko maiatzaren 14tik ekainaren 8ra – Chicagoko Unibertsitateko "Observing Whiteness" CSRPC^[13]
2009- "Black Presence/Presencia Negra" Gorecki Gallery St John, San Benedict Minnesotako Unibertsitatea, AEB^[1]^[11]
2007 - "Négritude" Bogotako (Kolonbia) Alianza Colombo Francés.^[11]^[14]
2003- "Mancha negra" Valenzuela eta Klenner arte garaikidea. Bogota, Kolonbia.^[15]
2000- "Un negro es un negro" argazki-erakusketa. Arte eta kulturarako udal institutua. IMAC, Durango, Mexiko.^[16]^[17]

Kolektiboak

2019ko maiatza - Museo 360, ¿qué pasó aquí? Antioquiako Museoa, Medellin. Kolonbia^[18]
2017ko azaroaren 4tik abenduaren 22ra "Identidad" Résidence croisée France-Colombie Liliana Angulo — Mariangela Aponte Nuñez — Guillaume Chauvin. La Chambre, espace de exposition et de formation. Estrasburgo, Frantzia^[19]^[20]

2008ko azarotik 2009ko urtarrilera - "Cali es Cali" 41. Kolonbiako Artisten Erakusketa Nazionala Santiago de Cali, Kolonbia.^[17]
2006ko azarotik 2007ko urtarrilera - "Mambo Negrita" Kolonbiako Bogotako Arte Modernoaren Museoaren IX. Biurtekoa.^[21]
2006ko uztaila eta abuztua - "Viaje sin mapa, imagen y representación afro en el arte contemporáneo colombiano" Casa de Moneda, Bogota, Kolonbia.^[11]^[22]
2005- "¿Se acabó el rollo? Historia de la fotografía en Colombia de 1950-2000" Kolonbiako Museo Nazionala. Bogota, Kolonbia.^[17]

Erreferentziak

Kanpo estekak

Datuak: Q97159295
Multimedia: Liliana Angulo Cortés / Q97159295

[:4-1] 1 2 «Prototeca - Astrid Liliana Angulo Cortés» www.prototeca.com.^{[Betiko hautsitako esteka]}

[:0-2] 1 2 «Astrid Liliana Angulo Cortés» C& AMÉRICA LATINA.

[3] «Retratos en Blanco y Afro.» Issuu.

[4] «45sna» 45sna.

[5] función publica. .

[6] «Liliana Angulo Cortés - Road to the Sea - Goethe-Institut Kolumbien» www.goethe.de.

[7] Resolución del instituto distrital firmado por Liliana Angulo Cortés.. .

[8] «Liliana Angulo Cortés - Collaborators - Independent Curators International» curatorsintl.org.

[9] Welt, Haus der Kulturen der. (9 de octubre de 2019). «Contributors: Liliana Angulo Cortés» HKW.

[10] www.bibliopolis.com. «Y EL AMOR... ¿CÓMO VA?; Coordinación y Curadoría: Liliana Angulo Cortés, Pascale Molinier, Mara Viveros Vigoya on Howard Karno Books, Inc» Howard Karno Books, Inc..

[:3-11] 1 2 3 4 «Retratos en Blanco y Afro.» Issuu.

[12] «LAURA ANDERSON BARBATA Y ASTRID LILIANA ANGULO CORTÉS SOBRE ARTE Y ACTIVISMOS» Artishock Revista 11 de septiembre de 2018.

[13] «Chrysanthemum Tran | Poetics and Performance in the Diaspora: A Conversation and Workshop with Josefina Báez | Mehammed Amadeus Mack, “Sexagon” | Dec. 1, 2017 | Thomas A. Foster “Rethinking Rufus: Sexual Violations of Enslaved Men” | May 14, 2019 | Seth Archer on “The Wasting Hand: Hawai‘i, 1840–55” | November 5, 2018 | Winter 2019 | Observing Whiteness: A Pop-Up Exhibit by Liliana Angulo Cortés | Nov 9 | “The Wall of Respect: Public Art and Black Liberation in 1960s Chicago” | Christelle Taraud, “‘Native’ Women on Stirrups” | May 25, 2017 | “I Am Not Your Negro” Screening and Discussion | May 13, 2017 | Raul E. Moreno Campos on “The Rise of Authoritarian Neoliberalism under Donald Trump” | May 17, 2017 | Hidden Movies: An Introduction to The South Side Home Movie Project | April 17, 2017 | Angela Jackson on “A Surprised Queenhood” | May 30, 2017 | Kestnbaum Writer-in-Residence Reading: Edwidge Danticat | May 3, 2017 | Rats, Roaches, and Resistance: Housing Activism Films | April 1, 2017 | “A Song in the Front Yard,” an evening with Imani Winds | May 3, 2017 | Rosenberger Medal Lecture: Kerry James Marshall “As Luck Would Have It” | May 15, 2017 | Transcending Boundaries: Research and Scholarship in an Uncertain Era | May 19, 2017 | Community Forum: Hate Incidents on Campus | March 29, 2017 | Caroline Light on “Stand Your Ground” | March 8, 2017 | Bronzeville Out: Gwendolyn Brooks | March 7, 2017 | Su’ad Abdul Khabeer on “Muslim Cool” | February 8, 2017 | Jan 26 | Race Workshop: Vanessa C. Tyson on “Twists of Fate” | A Boal Workshop with Teresa Veramendi | February 4, 2017 | re:action // a day of resistance and rebuilding | January 19, 2017 | 2016 Artists-in-Residence Panel Discussion + Welcome Reception | November 28, 2016 | Nov 4 | Speakers’ Podium for Citizens and Non-Citizens | “The Minority Paradox: Blackness in France,” with historian Pap NDiaye | November 10, 2016 | Oct 28 | Speakers’ Podium for Citizens and Non-Citizens | Race & Capitalism Panel | November 17, 2016 | Oct 22 | Speakers’ Podium for Citizens and Non-Citizens | Oct 14 | Speakers’ Podium for Citizens and Non-Citizens | Zadie Smith on “Swing Time” with Vu Tran | November 30, 2016 | Angela Davis on “Freedom is a Constant Struggle” with Keeanga-Yamahtta Taylor | November 16, 2016 | May 3 | Racing the International: “American Empire” | Apr 12 | Racing the International: “Globalizing Racial Capitalism” | Mar 1 | Racing the International: “Tracing a Black Feminist International” | Jan 18 | Racing the International: “From Bandung to Durban” | Nov 2 | Racing the International: “Racing International Law” | ArtsPass Exclusive: “Hamilton” in Chicago | October 20, 2016 | OMSA Heritage Series: Jeff Chang | October 10, 2016 | Christiane Taubira, “Justice in Service of Equality” | October 10, 2016 | Alicia Garza: Black Lives Matter | September 28, 2016 | Free Radical Black and Brown Kids’ Library | June 24, 2016 | African Religions in the Americas | May 20-21, 2016 | Michael Ralph on “Forensics of Capital” with Michael C. Dawson | May 17, 2016 | “Crook County” with Nicole Gonzalez Van Cleve | May 11, 2016 | Jimmy Santiago Baca: 12th Annual Cesar Chavez / Dolores Huerta Lecture | Apr 27, 2016 | Haiti Beyond Commemorations and Boundaries: New Perspectives | May 12-14, 2016 | Studying Race Relationally | May 12-13, 2016 | Marking Race, Making History: In honor of Thomas C. Holt | Apr 29-30, 2016 | Reading and Discussion w/ Brazilian Poet Salgado Maranhão + Translator Alexis Levitin | May 3, 2016 | Caribbean Poetry Reading: Marcelo Morales and Aureamaría Sotomayor | April 29, 2016 | Kathleen Neal Cleaver | Apr 21, 2016 | Unsuspending Disbelief | Jan 22 - Mar 13, 2016 | Narratives of Resistance: Stories and Performance of Joint Struggle | March 30, 2016 | RIOTcon 2016: Mapping a Movement | Apr 15-16, 2016 | Jennicet Gutiérrez at UChicago | Apr 15, 2016 | An Evening with John Lee (aka John Threat aka Corrupt) | April 27, 2016 | Keeanga-Yahmatta Taylor with Cathy Cohen | April 6, 2016 | Integrating the Inner City | Dec 3, 2015 | Dyett and Disinvestment | Dec 10, 2015 | City/Cité: A Transatlantic Exchange | Nov 4, 2015 | Western Cape Anti-Eviction Campaign: Discussion & Screening with Ashraf Cassiem | Mar 3, 2016 | Studying the Score: Race, Class, and Privilege in Classical Music | February 26, 2016 | gender | publics | panics in the global South | May 5-6, 2016 | Kettly Mars on “Savage Season” with William L. Balan-Gaubert | April 10, 2016 | Natalie Moore on “THE SOUTH SIDE” with Rick Perlstein | March 31, 2016 | Margo Jefferson on “Negroland: A Memoir” with Jamie Kalven | January 14, 2016 | Lester K. Spence on “Knocking the Hustle” with Michael C. Dawson | February 24, 2016 | “Dressing for the Revolution” with Tanisha C. Ford | February 11, 2016 | UChicago Teach-in on Racism and Activism | February 12, 2016 | Dr. Cornel West | Feb 1, 2015 | “Hate Crimes in the Heartland” screening and discussion | October 15, 2015 | Issa Rae | November 2015 | Town Hall for the Campaign to Create a Smithsonian American Latino Museum | May 20, 2015 | National Forum on Police Crimes | May 16 & 17, 2014 | Freedom Summer After 50 Years: Looking Back & Looking Forward | May 12-13, 2014 | “Freedom Song” - Special Film Screening | April 21, 2014 | Danny Glover | May 4, 2014 | America’s Most Wanted: Hip-Hop, Media & the Prison Industrial Complex | April 12, 2014 | Rights, Resources and Bolivia’s “Proceso de Cambio” | February 28, 2014 | Screening & discussion of the documentary film “American Promise” | March 3, 2014 | Black Radical Imagination - curated by Amir George & Erin Christovale | February 27, 2014 | Neoliberalism, Capitalism, and Race in the 21st Century | November 21, 2013 | Politics of Race, Immigration, and Ethnicity Consortium (PRIEC) - 35th Meeting | October 18, 2013 | CSRPC/CSGS Open House | October 16, 2013 | Dr. Angela Y. Davis | May 3, 2013 | Center for the Study of Race, Politics, and Culture | The University of Chicago» csrpc.uchicago.edu.

[14] «Prototeca» www.prototeca.com.^{[Betiko hautsitako esteka]}

[15] «Instituto Municipal del Arte y la Cultura de Durango (IMAC)» Secretaría de Cultura/Sistema de Información Cultural.

[:1-16] Aipuaren errorea: Konpondu beharreko erreferentzia kodea dago orri honetan: ez da testurik eman :1 izeneko erreferentziarako

[:2-17] 1 2 3 «Catálogo del 41 Salón Nacional de Artistas» Issuu.

[18] Arcadia, Revista. «Museo 360, ¿qué pasó aquí?» Museo 360, ¿qué pasó aquí?.

[19] Informe final de la temporada Colombia en Francia 2017.. .

[20] Comunicado de Prensa de la exposición "Identidad". .

[21] «UNIMEDIOS UN Periódico» historico.unperiodico.unal.edu.co.

[22] «Guía de estudio núm. 37. Viaje sin mapa: representaciones afro en el arte contemporáneo colombiano :: Guías de estudio - BanRepcultural» babel.banrepcultural.org.

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