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Features

Paws for thought: Olly & Suzi spot their muse on the horizon

Where the wild things are: Two British artists head to Alaska's frozen north on the trail of the polar bear

Nestled in the vast tundra of Alaska's North Slope, the island of Kaktovik is hard to spot on a map. A remote region, surrounded by sea ice, it is part of a 19.6 million-acre area of Arctic wildlife reserve, and boasts a fierce natural environment. In winter, temperatures regularly drop to minus 20 degrees, and strong winds hurtle across the sprawling, snow-white plains – making this the ideal natural habitat for some of the 25,000 polar bears still living in the wild today, as well as caribou, Arctic fox and more than 125 species of bird.

Inside Features

New face of embroidery: a detail from Somewhere Over the Rainbow by Louise Riley, from an upcoming London show

Observations: Sew and sews needle the west London art cognoscenti

Friday, 18 December 2009

If your idea of embroidery is a fuddy-duddy, old-fashioned sewing skill, then a visit to the forthcoming exhibition, Beware of Embroidery, at west London's PM Gallery from 15 January, will change your mind. Five international artists – Kate Keara Pelen, Louise Riley, Tilleke Schwarz, Laura Splan and Tamar Stone – all employ their embroidery skills in very different ways but each brings the medium bang up date.

Best of '09: Ed Ruscha, 50 Years of Painting, Hayward Gallery, London

Tuesday, 15 December 2009

Larry Ryan on the Ed Ruscha retrospective at the Hayward Gallery. Plus: nominate your favourite cultural moments of the year.

Only disconnect:  a still from 'I Knew It Had 4 in It'

Miroslaw Balka's Art of Darkness

Monday, 14 December 2009

Like his giant container at Tate Modern, Miroslaw Balka's latest exhibition recalls the horrors of the Holocaust. But what exactly is the artist trying to say?

Andy Wilson, 27, artist (pictured with Lewis Densley of year 4): 'I'm scared of going to get my hair cut. I trust these children more than I would a hairdresser. I'm impressed; it's just what I asked for'

Beyond the fringe: What happened when an art collective invited children to take over a Newcastle hair salon?

Sunday, 13 December 2009

Did the kids make the cut? And what exactly is the serious message behind those Day-Glo do's?

Weary villagers: photographs by Rimaldas Viksraitis

Observations: The boozed-up Lithuanian peasants who appeal to Martin Parr

Friday, 11 December 2009

A skinny, middle-aged, man, stripped to the waist, is dropping his trousers. His right hand rests on the lid of a bin, inches from a strutting chicken. Next to him, his grinning wife is holding a piglet upside-down. This exceedingly strange image, along with a surreal, flinch-inducing shot of a man blow-torching the belly of a dead pig in the snow while a chicken perches patiently on his bent back, helped the Lithuanian photographer Rimaldas Viksraitis win the 2009 Arles Discovery Award for new photography.

A brush with fame: Alfred Molina as Rothko and Eddie Redmayne as his assistant, Ken, in 'Red'

Rothko: Art on stage

Tuesday, 8 December 2009

As a new play about Mark Rothko opens tonight in the West End, Paul Taylor looks at how great artists and their work can be vividly brought to life on stage

Michael Glover: You could call Wright's art minimalist, but it is also luxurious

Tuesday, 8 December 2009

The least demonstrative and the most unassuming of this year's nominees wins the Turner Prize for a painting-cum-drawing that covers an entire wall at Tate Britain – yes, that's (almost) all there is, my friends – and which is likely to disappear when the show is over.

Interstate 10. California

Portfolio: Rob Hann

Sunday, 6 December 2009

'Deserted States of America'

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FIVE BEST EXHIBITIONS

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Ana Maria Pacheco (Mascalls Gallery, Tonbridge)
Tableaux of her polychrome wooden effigies: sinister, sadistic, gleeful and alarmingly alive. (01892 839039) to 19 Dec

Joyous Machines (Tate Liverpool)
Curated by Michael Landy, the works of Jean Tinguely, master of the meaningless machine: juddering, convulsive, hysterical engines. (0151 702 7400) to 10 Jan

Tim Head: Raw Material (Huddersfield Art Gallery)
We’re living in a scanned and pixelated world: these new projection works explore digital technology and the experience it creates. (01484 221964) to 9 Jan

The Sacred Made Real (National Gallery, London)
Hyper-realism, devotion and rivers of blood: religious paintings and sculptures from 17th-century Spain, including Zurbaran’s amazing ‘St Serapion’. (020 7747 2885) to 24 Jan

Ana Maria Pacheco (Mascalls Gallery, Tonbridge)
Tableaux of her polychrome wooden effigies: sinister, sadistic, gleeful and alarmingly alive. (01892 839039) to 19 Dec

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