
critic’s notebook
At the Stratford Festival, Sexual Power and Paranoia
This season’s wide-ranging offerings, including Shakespeare and “Little Shop of Horrors,” reveal the surprising root of our longest-lasting stories.
By Jesse Green
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This season’s wide-ranging offerings, including Shakespeare and “Little Shop of Horrors,” reveal the surprising root of our longest-lasting stories.
By Jesse Green

Jacqueline Novak’s show, a stand-up comedy set that inclines toward theater, offers a personal and intellectual history of oral sex.
By Alexis Soloski

The two-time Tony nominee is teaming up with the director Michael Mayer for a Westside Theater production in September.
By Michael Paulson

He held high-profile positions at the Metropolitan Opera and the National Endowment for the Arts, battling critics who wanted to abolish the agency.
By Katharine Q. Seelye

A new leader is about to take over the Brick in Williamsburg. A festival there now offers a sense of her transgressive vision (sour cream included).
By Helen Shaw

Halley Feiffer’s “Moscow Moscow Moscow Moscow Moscow Moscow” turns the master’s refined Russians into “Mean Girls.”
By Jesse Green

Miranda Haymon’s play relocates Kafka’s horrific tale of punishment to a contemporary world where African-American men are expendable entertainment.
By Ben Brantley

Isaac Gomez’s one-woman play follows the trail violence in a city on the Mexican border.
By Laura Collins-Hughes

In this retelling of Euripides’ tragedy of an abandoned lover, the heroine is a shy seamstress in seclusion in the Queens neighborhood of Corona.
By Ben Brantley
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The crowd-pleasing musical, with its popular score by Sara Bareilles, will wrap up after four years on Broadway.
By Gabrielle Debinski

A reader says the Tony winner Ali Stroker is a role model for children with disabilities.

The flirtatious Ado Annie of Broadway’s “Oklahoma!” says she is proud to be a symbol.
By Michael Paulson

Swinging lights. Broadway beefs. Words of wisdom. And a restroom serenade. If only some of the highlights were on TV.
By Ben Brantley, Jesse Green, Scott Heller and Margaret Lyons

“Hadestown” won the Tony Award for best new musical, beating out the original musical comedy, “The Prom,” “Tootsie,” “Beetlejuice” and “Ain’t Too Proud: The Life and Times of the Temptations.”
By Cbs/tony Award Productions Via Associated Press
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