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Peter Bart

Editor-At-Large

Peter moved to Deadline in 2016 from his longtime home at Variety, where he had been a fixture since 1989 as that trade's Editor-In Chief. He began his career as a staff reporter for The Wall Street Journal and The New York Times before his entry into the movie business, becoming Vice President for Production at Paramount. At that studio, he played a key role in such films as The Godfather, Rosemary’s Baby and Harold & Maude. He later served as Senior Vice President for Production at MGM and, later, as President of Lorimar films. Peter is also the author of nine books, and is a member of PMC's board of advisors.

More From Peter Bart

Peter Bart: As Seth Rogen Cosplays A Studio Exec On TV, Hollywood Wishes His Pipe Dreams Were Real

Peter Bart: Even AI Titans Can’t Predict Future Of Movies About AI Titans

Peter Bart: YouTube-Birthed Movies ‘Obsession’ & ‘Backrooms’ Resurrect ’60s Easy Rider Dreams

Peter Bart: With ‘Disclosure Day’, Steven Spielberg Has A Close Encounter Of The Cerebral Kind

Peter Bart: Billionaire CEOs Could Take A Lesson From The Courtly Father Of Public Relations

Peter Bart: Hollywood’s Dearth Of A Salesman Has Directors Struggling To Fill A Summertime Void

Peter Bart: Will Moviegoers Dig Tom Cruise As A Billionaire Savior In A Trumped-Up World?

Peter Bart: Finding Movies That Will Galvanize America Has Become A Tough Bet

Peter Bart: Hollywood Studios Assess Their New Leaders As High On Polish, Skimpy On Candor

Peter Bart: Oscar Week Brings Comforting Distraction From Hollywood’s Regime Changes & Very Risky Business

Peter Bart: Trumpian Disruptions, AI & Tariffs Stall Growth, Put CEOs On Endangered Species List

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