Queer history has often been overlooked, erased, or excluded from traditional archives. In the third episode of our special six-part series on Vanishing Culture, host Vida Vojić speaks with writer, artist, and archivist Brooke Palmieri about the vital role queer archives play in preserving memory, identity, and community. Drawing on his work with CAMP BOOKS and his research into LGBTQ+ history, Brooke explores why archives matter—not just as collections of records, but as tools for helping people understand where they come from and imagine new futures.
The conversation traces how queer communities have built their own archives in response to historical exclusion from mainstream institutions, creating spaces where stories of love, activism, creativity, and survival can be preserved and shared. Brooke reflects on the power of community-led archiving, the opportunities digital platforms create for expanding access to queer history, and the challenges posed by disappearing information, online misinformation, and unequal access to cultural heritage. Together, Vida and Brooke explore how preserving queer archives helps ensure that marginalized histories remain visible, accessible, and available to future generations.
Vanishing Culture is a special six-part series from the Future Knowledge podcast, produced by the Internet Archive and Authors Alliance, exploring what happens when our shared cultural heritage disappears, and what we can do to preserve it. View the full series.
The series is inspired by the Internet Archive’s new book, Vanishing Culture, a collection of essays by scholars, artists, librarians, and preservationists examining why culture disappears in the digital age, and what can be done to save it. Together, the book and podcast offer complementary perspectives on one of the defining challenges of our time: preserving humanity’s cultural record in an increasingly fragile digital world.
Food is having a cultural moment. As America marks its 250th anniversary, new cookbooks celebrate endangered culinary traditions, UNESCO calls recipes “living heritage,” and chefs are rediscovering centuries-old techniques. But preserving food culture takes more than cooking—it takes preserving the books, handwritten recipes, community cookbooks, and stories that carry this knowledge from one generation to the next. That’s the focus of this week’s Future Knowledge episode with Katie Livingston.
Why preserve a cookbook? In the second episode of our special six-part series on Vanishing Culture, host Vida Vojić speaks with Katie Livingston, a doctoral researcher at Stanford University who studies domestic culture and women’s literature. Through the lens of family cookbooks, recipe collections, and food traditions, Katie explores why everyday cultural artifacts deserve preservation and what they can teach us about history, identity, and community.
From church cookbooks and handwritten recipe notes to the rise of food blogs, Katie explains how recipes capture regional traditions, social values, and forms of knowledge that are often overlooked by traditional preservation efforts. The conversation examines how domestic culture—particularly culture created and maintained by women—has historically been undervalued despite its importance as a record of lived experience. As cooking increasingly moves online, Katie also considers the risks of digital ephemerality and what may be lost when personal archives give way to disappearing websites and search-engine-driven recipes. Together, Vida and Katie explore how preserving food culture helps us preserve the stories, communities, and histories embedded within it.
Vanishing Culture is a special six-part series from the Future Knowledge podcast, produced by the Internet Archive and Authors Alliance, exploring what happens when our shared cultural heritage disappears, and what we can do to preserve it. View the full series.
The series is inspired by the Internet Archive’s new book, Vanishing Culture, a collection of essays by scholars, artists, librarians, and preservationists examining why culture disappears in the digital age, and what can be done to save it. Together, the book and podcast offer complementary perspectives on one of the defining challenges of our time: preserving humanity’s cultural record in an increasingly fragile digital world.
The 2026 Public Song Project is here — and for the first time, WNYC’s Public Song Project is partnering with the Internet Archive!
Here’s what you need to know:
Anyone can participate. You don’t need to be a professional musician. Voice memos welcome. Bedroom producers, shower singers, full bands — the public domain is for everyone.
What’s the public domain? It’s the vast commons of creative works not protected by copyright — meaning you’re free to enjoy, remix, adapt, and build on them. In the U.S., that includes creative works published in 1930 or earlier, sound recordings from 1925 or earlier, plus U.S. federal government works from any year.
What’s new this year? This year’s playlist will live not only with WNYC, but also on the Internet Archive, where millions can stream and share it.
Fun fact: The submission deadline (May 10) falls on the Internet Archive’s 30th birthday!
Santa Cruz-based steel lap guitarist, Bill Walker, performing at a virtual staff meeting (2020).
Since 2020, the Internet Archive has been inviting musicians from around the world to play short live sets for our virtual staff meetings. What started as a way to bring our staff together and support artists during the earliest days of the pandemic has grown into a beloved tradition: twice a week, we gather online for 10 minutes of live music before diving into our Monday morning or Friday lunch staff meetings. Check out past performances here.
We’d love to feature you!
How It Works
Performance: A 10-minute set via Zoom before one of our staff meetings
Schedule Options:
Mondays: Sound check at 9:40 AM PT, performance from 9:55–10:05 AM PT
Fridays: Sound check at 11:40 AM PT, performance from 11:55 AM–12:05 PM PT
Honorarium: $100 + tips (via Venmo or PayPal)
Creative Freedom: Play what you love—we welcome all genres, styles, and sounds!
Send an e-mail to our booking team at info@archive.org with a short bio and any links to your music, social media, or merch.
Why Play for the Archive?
The Internet Archive is a nonprofit research library with a mission to provide Universal Access to All Knowledge. Our staff—curious, grateful, and globally distributed—loves starting and ending the week with new music. It’s a short, fun way to share your sound with a receptive, appreciative audience.
The global campaign to secure digital rights for libraries and memory institutions just gained a powerful new ally.
As explained in a post by Beatrice Murch of Internet Archive Europe, the International Federation of Library Associations and Institutions (IFLA)—the leading international body representing the interests of library and information services—has signed the Statement on Four Digital Rights of Memory Institutions, joining more than 30 signatories from around the world who are calling for the legal rights that libraries, archives, and other cultural heritage organizations need to fulfill their missions in the digital age.
It’s such a good initiative. I think as far as we were concerned, when we looked [at] the Four Digital Rights […], we sat down and thought this stuff is obvious, isn’t it? This is just reaffirming the things that libraries have always done.
These are basic functions that need to be in place, not just to deliver library rights, but ultimately library rights are the rights of the community that depends on libraries to actually get things done, to fulfill their own rights, to fulfill their own potential.
Stephen Wyber, IFLA
In joining the statement, IFLA strengthens the growing international movement to secure the legal foundations for long-term digital preservation and access to knowledge. Their endorsement signals that libraries and archives worldwide are aligned in calling for legal reform on four essential rights:
How is knowledge created, shared, and preserved in the digital age—and what forces are shaping its future?
We’re thrilled to announce the launch of Future Knowledge, a new podcast from the Internet Archive and Authors Alliance. Hosted by Chris Freeland, librarian at the Internet Archive, and Dave Hansen, executive director of Authors Alliance, the series brings together authors, librarians, policymakers, technologists, and artists to explore how knowledge, creativity, and policy intersect in today’s fast-changing world.
In each episode, an author discusses their book or publication and the big ideas behind it—paired with a thought-provoking conversation partner who brings a fresh perspective from the realms of policy, technology, libraries, or the arts.
We’re kicking off the podcast with a double feature—two episodes tackling copyright history and AI’s global impact:
Episode 1: The Copyright Wars
Historian Peter Baldwin joins copyright scholar Pamela Samuelson to unpack The Copyright Wars—a sweeping look at 300 years of trans-Atlantic copyright battles. From 18th-century publishing monopolies to today’s clashes between Big Tech, libraries, and the entertainment industry, this conversation reveals how history can illuminate the future of intellectual property in a digital world.
Episode 2: Copyright, AI, and Great Power Competition
Authors Joshua Levine and Tim Hwang sit down with Lila Bailey to discuss Copyright, AI, and Great Power Competition. Together they explore how artificial intelligence is transforming copyright law—and how global powers are using IP policy as a strategic tool in the race for technological dominance.
Whether you’re an author thinking about how to share your work, a librarian navigating digital access, or a curious listener exploring how knowledge shapes our world, Future Knowledge is for you.
Setting up a livestream is more complicated than just turning on a camera. That’s why the Internet Archive tapped into the expertise of Sophia Tung, a software engineer and online content creator, to help create the livestream for its microfiche scanning center, which launched May 21.
The 29-year-old garnered international media coverage for her livestream of robotaxis parked in a depot just below her San Francisco apartment as they jostled and honked – sometimes in the middle of the night.
“I put it up just sort of as a meme to get some attention. If I couldn’t do anything about it, then I might as well make the best of it,” Tung said of the livestream she posted on YouTube with Lo-fi music in the background. “People became fans of it and Brewster [Kahle, Internet Archive’s digital librarian] reached out to see if I could do something similar with the Internet Archive.”
An avid user of the Internet Archive for years, Tung said she was eager to visit its Funston Avenue headquarters and work with the staff on the project. As a sign of our tech-connected times, it’s become popular to have a mesmerizing scene with mellow music playing on a second monitor as people work. Tung said she could envision a relaxing, but informative, feed showing the preservation process.
Sophia Tung
Tung met with the team who take microfiche – flat sheets of film that hold miniaturized documents – and turn them into digital images that can be accessed online. The team is now digitizing U.S. Supreme Court case documents and government records from Canada dating back to the 1930s.
After assessing the space with five active microfiche digitization stations,Tung decided on a three-camera setup for the livestream. One is focused on an operator feeding microfiche cards under a high-resolution camera that captures multiple detailed images. Another is an up-close look of what actually happens on the machine. A third wide-angle camera covers the entire room and is blurred for security, but still conveys motion.
All team members are open to being on camera as they work, but Tung said she recognized privacy concerns may arise. She devised a pause button to be installed to stop the feed, momentarily dimming the “on air” sign in the room. Although initially concerned that employees might not like being on camera, Tung said staff were hired who agreed to the concept and they are on board with the livestream as a mixed media project.
Live activity with the scanners occurs Monday–Friday, 7:30am-3:30pm U.S. Pacific Time (GMT+8)—except U.S. holidays. Ambient Lo-fi music plays continuously. After hours, other Internet Archive content runs on the video feed including silent films, lost landscape footage from everyday life, and public domain photographs from NASA and other sources.
The project has required a combination of engineering to make the infrastructure work 24/7, plus physical design integrating signage and broadcasting lights, which Tung says she enjoyed. Her goal was two-fold: to recreate the excitement of her last livestream and to shine a light on the individuals working behind the scenes at the Archive.
“I always thought about the Internet Archive as just some mysterious entity, trying to preserve what we as individuals cannot. It’s an invaluable tool for journalists and, basically, everybody,” Tung said. “Now, preservation is more important than ever. I think people just assume that it happens. Actually, it takes money, effort, machinery and people. I think it’s important to highlight all the people-hours that go into it.”
Tung produced an explainer video about the microfiche livestream project on YouTube. “The reception has been great so far,” said Tung, who is working on more features and possible additional channels to add to the stream. “I hope the stream brings awareness to the effort it takes to preserve all this important material. If we don’t preserve it now, we are going to lose it.”
All microfiche materials are added to Democracy’s Library, the global project to collect, digitize, and provide free public access to the world’s government publications.
Rob Reich, performing at the Internet Archive’s annual celebration, October 2022.
We are deeply saddened by the passing of Rob Reich, a remarkable musician whose warmth, humor, and creativity touched the hearts of so many. Based in San Francisco, Rob was a frequent and beloved performer in our “Essential Music Concerts from Home” series at the Internet Archive. At the height of the pandemic in October 2020, when we all needed connection and comfort, Rob brought us both. He performed for us a total of eight times, including serving as the MC for two of our virtual holiday parties during the pandemic. His music lifted our spirits, and his presence made everything feel like a celebration.
Rob and his ensemble, Circus Bella, kicked off our October 2022 celebration with their signature whimsy and energy. He was a master of joy-infused musicianship—a true one-man band. Whether playing the accordion, piano, bells, whistles, or cymbals, Rob’s performances were always memorable. One Bastille Day, he performed in a striped shirt and beret, with an Eiffel Tower zoom backdrop, serenading us with French classics.
I once had the pleasure of seeing him perform at Zuni, a favorite restaurant in San Francisco, where he played timeless tunes as patrons enjoyed oysters, Caesar salad, and roasted chicken.You’d never have guessed he was also a circus performer—such was his versatility.
Rob was more than a performer—he was someone we could count on. He was reliable, kind, hilarious, serious, wildly creative, and most of all, genuine.
We are grateful for the joy Rob brought to us and to so many others. His loss leaves a silence, but his music and memory continue to resonate.
A coalition of major record labels has filed a lawsuit against the Internet Archive—demanding $700 million for our work preserving and providing access to historical 78rpm records. These fragile, obsolete discs hold some of the earliest recordings of a vanishing American culture. But this lawsuit goes far beyond old records. It’s an attack on the Internet Archive itself.
This lawsuit is an existential threat to the Internet Archive and everything we preserve—including the Wayback Machine, a cornerstone of memory and preservation on the internet.
At a time when digital information is disappearing, being rewritten, or erased entirely, the tools to preserve history must be defended—not dismantled.
This isn’t just about music. It’s about whether future generations will have access to knowledge, history, and culture.
Yesterday, the Internet Archive submitted its response to the record labels’ recent motion, which seeks to add an additional 493 sound recordings to their lawsuit against the Internet Archive for preserving 78rpm sound recordings.
The Internet Archive’s position is clear: the labels have been engaged in a long-running game of “hide-the-ball” and their motion to file a second amended complaint should be denied.
The full response is available here (PDF); the entire docket is here (CourtListener).
Statement from Brewster Kahle, digital librarian of the Internet Archive:
“More than 850 musicians have called on Universal Music Group to drop its lawsuit against the Internet Archive. Instead, the recording industry has decided to aggressively escalate its attack at a time when the Internet Archive’s preservation efforts have never been more vital.”
Learn more about the lawsuit
In 2023, major labels sued the Internet Archive for preserving 78rpm sound recordings. Learn more about the lawsuit, and why the Internet Archive is fighting back:
